Tue, Dec 12 7:00PM
The Atlanta Room

THE PRESCRIPTIONS / NATIVE HARROW / DYLAN EARL & HIS REASONS WHY / WILLI CARLISLE

$7 IN ADVANCE / $10 DAY OF


Artist Bios

THE PRESCRIPTIONS

For Birmingham native Hays Ragsdale, songwriting became second nature early on, however it was a creative outlet that he mostly kept to himself. His outlook changed, however, after moving to Nashville in the fall of 2014, when family friend and Nashville music veteran Chas Williams convinced him that his songs had an audience. So Hays decided to seek out a group of experienced musicians and naturally turned to fellow Nashville transplants formerly involved in Birmingham's tight-knit music community. Luckily, he found some familiar faces: Longtime friend and bassist Parker McAnnally was recruited first, who soon suggested accomplished guitarist Jack Thomason and his college classmate, Houston-raised drummer John Wood. All drawn to the musical environment in Nashville for similar reasons, the four-piece quickly discovered a common vision and formed The Prescriptions. 

While The Prescriptions may come by their Southern style of narrative storytelling honestly, they refuse to rest on the laurels of their musical heritage. Songs like “She Is Waiting” prove that they’re just as comfortable launching into a heavy, alt-country breakdown as they are a world-weary lyrical stream of consciousness. The Prescriptions channel a broad range of influences, from the aching, unaffected honesty of ‘70s folk titans like Neil Young, to the guitar-driven melodies of The Strokes’ early recordings and the experimental energy of Wilco.

The band is set to start recording their first full length album at the legendary Sound Emporium Studios this spring. It’s clear that The Prescriptions are somewhat of a rarity in the modern musical landscape: a group of close friends that are more concerned with pushing each other’s creative boundaries rather than pushing a sound you’ve heard before. - Hilli Levin


NATIVE HARROW

Through a rising din of cello glissandi, hissing slide guitars, backwards tape, and analog noise a warm, rich voice, at once accessible in its darkness and stark in its honesty, picks up the story in mid conversation-

 

“I am expected to run things around this place. 

Take it all in, make it better, never show your face.

Where do I go with that?”

 

Sorores, the new 90-minute double album from Native Harrow begins here, with a 12-minute suite covering the collapse of a close loved one on the New York City subway and an exploration of a nostalgia for a human connection that may never have existed. The debut LP Ghost (2015) established a soundworld somewhere between British Folk Rock and Laurel Canyon Folk. This 17 track followup blows things wide open to make way for darker avant-garde folk, art rock edginess, sitar solos, west coast jazz, middle eastern rhythms, and desert psychedelia. 

 

“The songs of Sorores reflect changes of heart, growth of soul, struggles in my hunt to find life’s magic, and my exploration of the vast world of sounds. This Latin world for ‘sisters’ has resounded in and from me throughout the writing and recording process and, I fell, captures  the essence of this album.”

 

The two members of Native Harrow, vocalist/guitarist Devin Tuel and multi-instrumentalist Stephen Harms, surround themselves on stage with a collection of open-tuned acoustic guitars, pawn-shop electrics, basses, acoustic strings, and a few drums and keyboards. moving deliberately and inquisitively through the sonic worlds inhabited by the material. The music of Ghost and Sorores have been worked through on stages and in rooms throughout North America on the back-to-back Sorores Tour and World Gets Quiet Tour throughout 2017. The two-piece will begin 2018 with the 100+ show New Year Eyes Tour.


DYLAN EARL & HIS REASONS WHY

Post-country/Western


WILLI CARLISLE

Willi Carlisle is an award-winning folksinger, writer, and theater-artist from Northwest Arkansas.