Thu, Apr 26 7:00PM
The Music Room


Capital Arms / Oh, Jeremiah


Artist Bios


Brooklyn’s Animal Years are poised to take the indie rock world by storm. Fresh off a national spring/summer 2106 tour that included a sold-out stop at New York City's famed Gramercy Theatre, the band holed up in a cabin in Woodstock with Ryan Hadlock, the hit producer behind the smash debut records for The Lumineers and Vance Joy, to cut their highly anticipated follow-up to 2014’s “Sun Will Rise.” With influences ranging from early Kings of Leon and My Morning Jacket to Young The Giant and The Avett Brothers, Animal Years is driven by Mike McFadden’s passion-filled songwriting and crisp vocals. Their boozy, raucous, high-energy live show provides the icing on the cake for this fast-rising quartet.


Capital Arms started as a couple kids with some guitars, a garage, a lot of talent and a touch of wide-eyed ambition. Now a well-known band in Atlanta, Scott Patton (Musical Director of Sugarland/Jennifer Nettles) describes the band as "a diverse collection of six musical perspectives that come together to make one incredibly tight sound. Capital Arms, a true band." 

Capital Arms has supported such acts as Somekindawonderful, Tides of Man, played at the Hopscotch music festival in North Carolina along with touring the East Coast with Slowriter (ex-member of The Chariot) and Bear Girl. They have a robust following of listeners in their hometown of Atlanta and are currently bringing their loud and energetic live show to every corner of the Southeast.

The band currently works with Grammy-nominated producer and engineer Bruce Bennett, who has worked with Cool Breeze, Scott Weiland, Cool Mo Dee, The Aquarium Rescue Unit, Jimmy Herring, Francine Reed, Sonny Emory and Vance Taylor from Earth Wind and Fire, and Chuck Leavell.

Their brand new EP "Firestarter" is available on iTunes, Spotify, Google Play and Bennett describes the record as, "Explosive, smart and exactly what this generation of music lovers need."


Oh, Jeremiah is the musical cocktail of the musings and tall tales of singer/songwriter Jeremiah Stricklin. Each of his songs is filled with the distinct characteristics of the Deep Southern culture that he’s called home for so long. The familiar people and places that he has always known are now the invisible forces that populate his songs simultaneously uplifting and haunting his person musically. His pace, his love of face-to-face conversation, and his enjoyment of wasting an afternoon sitting on a front porch have all given him and his music a flavor worth savoring. In short, he can be considered the 21st Century Tom Sawyer; the friend you would be willing to paint a fence for or take a leap of faith with if you had to run away from the real world.

His debut performance, a shaking, shuffling rendition of Elvis Presley’s “You Ain’t Nothin but a Hound Dog,” while holding a glitter-glued, paper-plate guitar, took place at a kindergarten talent show. After a crushing third-place finish, Jeremiah Stricklin swore to never be third again. His musical journey really took off when he was 11 years old and received a hand-me-down guitar from his father. He learned to play guitar before he even learned to ride a bike. Out of all of the hobbies he pursued, music “just never went away.” One of the first inspirations that shaped his musical passion was seeing the video of Blink 182’s “What’s My Age Again” and thinking, “I want to be as old as they are and as happy as they appear.” Their album Take Off your Pants and Jacket was the first album he bought with his own money. Stricklin pursued his love of music at the University of Southern Mississippi’s School of Music. It was during this time that another milestone in his artistic development came while hearing The National’s “Fake Empire” on their Boxer album: the words drew him in more than the music. “I don’t know what he’s talking about but I believe it. I want these things to be universal because I feel it,” he says of the album. Thus, the two components of Oh Jeremiah were finally in place: the technical complexity of music and lyrical depth.

These two attributes are what have shaped the sound and presentation of Oh, Jeremiah. They have drawn him to musical influences such as Josh Ritter, Shovels and Rope, and Ryan Adams. Stricklin’s music can best be described as Americana with elements of whimsy and gentle seriousness. He is drawn toward artists who demonstrate vulnerability and a genuine connection with their audience, both lyrically and in performance. He avoids the current simplicity of Pop music, and instead rather pursues exploring the richness of various instrumentation in his songs and his shows. Although this is Stricklin’s debut solo project, it has been his experiences with multiple bands over the last five years that has inspired and brought him to this place.

And whether you listen to Oh, Jeremiah on car speakers or see him in a crowded venue, you will leave the moment as if you just had a great conversation with a good friend. As one listener once said after a show, “I feel like I’ve known you my entire life.” And that’s what Oh Jeremiah shoots for with this project. As with any relationship, there is the thing that attracts you and then the thing that keeps you. For Stricklin, his stage presence and energetic performance is what may draw you to sit down and listen. His lyrics are what will keep you around.